Teresa Hubbard and Alexander Birchler’s latest work Flora (2017) was featured in a review from Gregory Volk of Hyperallergic. Housed within the Swiss pavilion at this year’s Venice Biennale, Hubbard and Birchler’s film installation was a response to renowned Swiss artist Alberto Giacometti’s historical absence within the history of the Swiss pavilion and his exhibition at the French pavilion in 1956 titled Women of Venice.
Published
June 7, 2017
Tags
Faculty & Staff
Studio Art