News

Beili Liu wins 2022 Pollock Prize for Creativity

Black and white xerox print of coffee bag being held by a hand in artist and printmaker Annie May Johnston work at Investor Contemporary gallery

Annie May Johnston solo exhibition at Ivester Contemporary centers around the tale of the Golden Bough

book cover for Julia Guernsey's edited volume titled Early Mesoamerica Cities

Dr. Julia Guernsey publishes new edited volume on urbanism in Mesoamerica with Cambridge University Press

Oil on canvas painting from artist and UT Austin Studio Art Professor Dan Sutherland

Moody Gallery presents My Father’s Desk, solo exhibition from Dan Sutherland

cover of the book Genealogy and the Politics of Representation in the High and Late Middle Ages

Professor Emeritus Joan Holladay awarded 2022 Karen Gould Book Prize in Art History

Sculptural piece made out of abandoned objects created by artist and UT Austin Studio Art MFA alumnus Vinchen or Mark Kovitya

Alumnus Vinchen (MFA in Studio Art, 2019) exhibition lumpen objects at MASS gallery

red terra-cotta forms from UT Austin alumna of the Studio Art MFA program artist Shanie Tomassini

Alumni Rachael Starbuck and Shanie Tomassini featured in Artpace exhibition Mystic Toolkit

Installation of a Beili Liu sculptural installation on site in public from architecture firm Page Inc

Design, architecture and engineering firm Page spotlights transformative power of public artwork through its work with Beili Liu and Margo Sawyer

Dr. Kimberli Gant selected as 2022 VIA Curatorial Fellow

Still from film from Ariel Rene Jackson depicting Black woman with black balloon sitting beside body of water

Women & Their Work features solo exhibition by Ariel René Jackson

portrait of AFS short film grant recipient and First Year Core Time and Technology area head Katy McCarthy

Katy McCarthy among recipients of 2021 Austin Film Society Grant for Short Films for The Violinist

Cover image from the Georgia Review featuring the work of UT Visual Arts Center alumna Lan Tuazon

Alumna Taylor Bradley's essay on Lan Tuazon headlines The Georgia Review's Winter 2021 issue